About Me

My photo
Designing and Producing Lighting shows for the stage is what I do. These days, mainly creating shows for bands. Although, through my past and sometimes still to date, I've worked doing Theatre, Musicals, Contemporary Dance, Opera and Special Events. Here is a general portfolio showing my design trajectory through the years. I do hope you enjoy!!

Friday, 1 December 2006

Amadou & Miriam

Job Title: Chief Electrician / Lighting Designer

One of the shows I got to design through my time in The Roundhouse

Wednesday, 1 November 2006

Herbie Hancock & Seu George playing for the London Jazz Festival

Job Title: Chief Electrician / Lighting Designer

One of the shows I got to design through my time in The Roundhouse

 

Friday, 20 October 2006

The Roundhouse Promotional Photo Shoot

Job Title: Chief Electrician / Lighting Designer

The Roundhouse is the venue where, through my university years, I grew up, here in the UK. After it got refurbished I got offered the chance to take care of the Lighting Department. In the mean time I got to design a couple of shows and things. This was a promotional photo shoot arranged by the Press Departement of the RH to have good stock photography of the venue. 



Sunday, 1 October 2006

'Pied Piper' By: Boy Blue Entertainment:

Job Title: Lighting Designer


This was my second job for Boy Blue Entertainment. This was a show conceived still close to the begining of the British Urban Dance movement, before it really got to hit the mainstream and TV. It was originally presented at the Theatre Royal Stratford East, London.







Friday, 1 September 2006

'Casa Abierta' Open house at the residence of the Argentine Ambassador

Job Title: Lighting Designer

Every two years the Argentine Embassy ceases the opportunity of 'Open House' to create an exhibit of fresh Argentinean Art to complement the viewing of the Ambassadors house at Belgravia Sq. My self imposed brief every time has been to eliminate, the technical footprint, as much as possible. For example you'll see nearly no cables and no stands of any sort. Not because I've been wise on my picture angles, but because there were hardly any used.